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Version 1

Cage aux Folles (La) (2004-12-Marquis Theatre-Broadway)

Type de série: Revival
Théâtre: Marquis Theatre (Broadway - Etats-Unis)
Durée : 6 mois 2 semaines
Nombre : 31 previews - 229 représentations
Première Preview : Thursday 11 November 2004
Première : Thursday 09 December 2004
Dernière : Sunday 26 June 2005
Mise en scène : Jerry Zaks
Chorégraphie : Jerry Mitchell
Producteur :

Version 2

Catch me if you can (2009-07-5th Avenue Theatre-Seattle)

Type de série: Pre-Broasway Try Out
Théâtre: 5th Avenue Theatre (Seattle - Etats-Unis)
Durée : 2 semaines
Nombre :
Première Preview : Inconnu
Première : Tuesday 28 July 2009
Dernière : Sunday 16 August 2009
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Frank Abagnale, Jr. … Aaron Tveit
Hanratty … Norbert Leo Butz
Frank Abagnale, Sr. … Tom Wopat
Paula Abagnale … Rachel deBenedet
Cheryl Ann … Felicia Finley
Brenda Strong … Kerry Butler
Carol Strong … Linda Hart
Roger Strong … Nick Wyman
Agent Bill Cod … Timothy McCuen Piggee
Agent Todd Branton … Clarke Thorell
Commentaires longs: Originally slated to open on July 25, the first two performances were cancelled after the brutal murder of Norbert Leo Butz's sister.

Version 3

Catch me if you can (2011-04-Neil Simon Theatre-Broadway)

Type de série: Original Broadway
Théâtre: Neil Simon Theatre (Broadway - Etats-Unis)
Durée : 4 mois 3 semaines
Nombre : 32 previews - 170 représentations
Première Preview : Friday 11 March 2011
Première : Sunday 10 April 2011
Dernière : Sunday 04 September 2011
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Frank Abagnale, Jr. … Aaron Tveit
Agent Todd Branton … Joe Cassidy
Agent Dollar … Brandon Wardell
FBI Fraud Agent Carl Hanratty … Norbert Leo Butz
Agent Bill Cod … Timothy McCuen Piggee
Frank Abagnale, Sr. … Tom Wopat
Paula Abagnale … Rachel deBenedet
Cheryl Ann … Rachelle Rak
Brenda Strong … Kerry Butler
Carol Strong … Linda Hart
Commentaires longs: The first preview was be pushed back from March 7th to March 11th. The producers cited the extension of Rain and massive amounts of snowfall as reasons for the delay.
During early previews the show contained an overture. This was later cut.

Version 4

Dirty Rotten Scoundrels (2004-09-Old Globe Theatre-San Diego)

Type de série: Original
Théâtre: Old Globe Theatre (San Diego - Etats-Unis)
Durée : 1 mois 3 semaines
Nombre :
Première Preview : Inconnu
Première : Wednesday 15 September 2004
Dernière : Sunday 07 November 2004
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :

Version 5

Dirty Rotten Scoundrels (2005-03-Imperial Theatre-Broadway)

Type de série: Original Broadway
Théâtre: Imperial Theatre (Broadway - Etats-Unis)
Durée : 1 an 6 mois
Nombre : 36 previews - 666 représentations
Première Preview : Monday 31 January 2005
Première : Thursday 03 March 2005
Dernière : Sunday 03 September 2006
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :

Version 6

Dirty Rotten Scoundrels (2014-04-Savoy Theatre-London)

Type de série: Original London
Théâtre: Savoy Theatre (Londres - Angleterre)
Durée : 11 mois 1 semaine
Nombre :
Première Preview : Monday 10 March 2014
Première : Wednesday 02 April 2014
Dernière : Saturday 07 March 2015
Mise en scène : Jerry Mitchell
Chorégraphie :
Producteur :
Avec : Robert Lindsay (Lawrence Jameson), Alex Gaumond (Freddy Benson), Katherine Kingsley (Christine Colgate), Bonnie Langford (Muriel Eubanks ), Ben Fox (Andre Thibault), Lizzy Connolly (Jolene), Gavin Alex, Darren Bennett, Niamh Bracken, Lisa Bridge, Darren Carnall, Andy Conaghan, Phoebe Coupe, Claire Doyle, Alice Fearn, Selina Hamilton, Ian Knauer, Lisa Mathieson, Zak Nemorin, Genevieve Nicole, Javier Santos, Todd Talbot, Dominic Tribuzio, Jon Tsouras, Zara Warren.
Presse : "Most of the pleasure of the show depends on the relationship of this pair, and there is a fizzing on-stage chemistry between Robert Lindsay’s suave and practised deceiver, who offers a hilarious vocal imitation of our own Prince of Wales as he gulls his marks, and Rufus Hound’s oafish interloper." Charles Spencer for The Telegraph

"Every adaptation is burdened by the question ‘What’s the point?’...There is a point to this show, but it’s hardly an essential one." John Nathan for The Independent

"It's not a show that extends the boundaries of the form, but one that simply, and happily, takes us back to the all-but-lost era of musical comedy." Michael Billington for The Guardian

"This is like a Muppet rendition of the comparatively mature, subtle film version . . .." Ian Shuttleworth for The Financial Times

Version 7

Follies (1998-04-Paper Mill Playhouse-Milburn)

Type de série: Revival
Théâtre: Paper Mill Playhouse (Milburn - Etats-Unis)
Durée : 1 mois 2 semaines
Nombre :
Première Preview : Inconnu
Première : Wednesday 15 April 1998
Dernière : Sunday 31 May 1998
Mise en scène : Robert Johanson
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Dmitri Weismann - Eddie Bracken / Sally Durant Plummer - Donna McKechnie / Young Sally - Danette Holden / Phyllis Rogers Stone - Dee Hoty / Young Phyllis - Meredith Patterson / Carlotta Campion - Ann Miller / Young Carlotta - Jillana Urbina / Hattie Walker - Kaye Ballard / Young Hattie - Krista Lepore / Stella Deems - Phyllis Newman / Young Stella - Pamela Jordan / Solange La Fitte - Liliane Montevecchi / Young Solange - Jean Marie / Heidi Schiller - Carol Skarimbas / Young Heidi - Ingrid Ladendorf / Emily Whitman - Natalie Mosco / Young Emily - Pascale Faye / Christine Donovan - Ann Cunningham / Young Christine - Temple Kane / Sandra Crane - Laura Kenyon / Young Sandra - Julie Connors / Dee Dee West - Billie Thrash / Young Dee Dee - Karen Lifshey / / Benjamin Stone - Laurence Guittard / Young Ben - Michael Gruber / Buddy Plummer - Tony Roberts / Young Buddy - Billy Hartung / Roscoe - Vahan Khanzadian / Young Roscoe - Peter Davenport / Theodore Whitman - Donald Saddler / Young Theodore - Arte Phillips
Commentaires longs: "Who's That Woman" used the original Michael Bennett/Bob Avian choreography. / There was talk of a Broadway transfer, but James Goldman's widow did not give her consent. This was presumeably done because of the Roundabout Theatre revival three years later.

Version 8

Full Monty (2000-10-Eugene O'Neill Theatre-Broadway)

Type de série: Original Broadway
Théâtre: Eugene O'Neill Theatre (Broadway - Etats-Unis)
Durée : 1 an 10 mois 1 semaine
Nombre : 35 previews - 770 représentations
Première Preview : Monday 25 September 2000
Première : Thursday 26 October 2000
Dernière : Sunday 01 September 2002
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Patrick Wilson (Jerry Lukowski), John Ellison Conlee (Dave Bukatinsky), Romain Fruge (Ethan Girard), Jason Danieley (Malcolm MacGregor), Marcus Neville (Harold Nichols), Emily Skinner (Vicki Nichols), Kathleen Freeman (Jeanette Burmeister), Andre De Shields (Noah "Horse" T. Simmons), Annie Golden (Georgie Bukatinsky), Denis Jones (Buddy "Keno" Walsh)

Version 9

Full Monty (The) (2000-10-Old Globe Theatre-San Diego)

Type de série: Original
Théâtre: Old Globe Theatre (San Diego - Etats-Unis)
Durée : 1 mois 1 semaine
Nombre :
Première Preview : Tuesday 23 May 2000
Première : Thursday 01 June 2000
Dernière : Sunday 09 July 2000
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Annie Golden (Georgie Bukatinsky), Denis Jones (Buddy "Keno" Walsh), Todd Weeks (Carroll Crosby), Patrick Wilson (Jerry Lukowski), John Ellison Conlee (Dave Bukatinsky), Marcus Neville (Harold Nichols), Emily Skinner (Vicki Nichols), Jason Danieley (Malcolm MacGregor), Romain Fruge (Ethan Girard), Adam Covalt (Nathan Lukowski)

Version 10

Full Monty (The) (2002-03-Prince of Wales Theatre-London)

Type de série: Original London
Théâtre: Prince of Wales Theatre (Londres - Angleterre)
Durée : 8 mois 2 semaines
Nombre : 295 représentations
Première Preview : Wednesday 27 February 2002
Première : Tuesday 12 March 2002
Dernière : Saturday 23 November 2002
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Gina Murray (Geòrgie), John Ellison Conlee (Dave), Julie-Alanah Brighten (Pam), Jarrod Emick (Jerry), Jason Damieley (Malcolm), Tricia Deighton (Molly), Marcus Neville (Harold), Rebecca Thornhill (Vicki), André De Shields (Noah), Romain Frugé (Ethan), Dora Bryan (Jeanette)
Commentaires : “The Full Monty” started life as a 1997 British film, directed by Peter Cattaneo. Set in Sheffield it was a non-musical comedy which managed to deal seriously with subjects like unemployment, father’s rights, depression, impotence, homosexuality, working-class culture and suicide. The musical version changed the setting to Buffalo, New York, but stayed very close to the film, changing some names and introducing a few new characters.
The musical opened on Broadway in October 2000 and ran for 769 performances. The London cast included six of the original Broadway cast members and received excellent notices. Dora Bryan was replaced after 12 weeks (due to “filming commitments”) by Lynda Baron, and after the agreed six months, the American leads were replaced with David Ganly (Dave), Cornell John (Noah), Ben Richards (Jerry), Paul Keating (Ethan), Samuel James (Malcolm) and Tony Timberlake (Harold). It ran for 9 months.

Version 11

Hairspray (2002-08-Neil Simon Theatre-Broadway)

Type de série: Original
Théâtre: Neil Simon Theatre (Broadway - Etats-Unis)
Durée : 6 ans 4 mois 3 semaines
Nombre : 31 previews - 2642 représentations
Première Preview : Thursday 18 July 2002
Première : Thursday 15 August 2002
Dernière : Sunday 04 January 2009
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Tracy Turnblad ... Marissa Jaret Winokur / Amber Von Tussle ... Laura Bell Bundy / Link Larkin ... Matthew Morrison / Edna Turnblad ... Harvey Fierstein / Penny Pingleton ... Kerry Butler / Velma Von Tussle ... Linda Hart / Wilbur Turnblad ... Dick Latessa / Motormouth Maybelle ... Mary Bond Davis / Corny Collins ... Clarke Thorell / Brad ... Peter Matthew Smith
Commentaires longs: A large hairspray can was added to the outside of the Neil Simon Theatre in April of 2004 to advertise the show.

Version 12

Hairspray (2003-09-Princess of Wales Theatre-Toronto)

Type de série: Revival
Théâtre: Princess of Wales Theatre (Toronto - Canada)
Durée : 6 mois 3 semaines
Nombre : 264 représentations
Première Preview : Inconnu
Première : Wednesday 05 May 2004
Dernière : Sunday 28 November 2004
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :

Version 13

Hairspray (2003-09-US Tour)

Type de série: US Tour
Théâtre: US Tour ( - Etats-Unis)
Durée : 2 ans 9 mois 2 semaines
Nombre :
Première Preview : Inconnu
Première : Tuesday 09 September 2003
Dernière : Sunday 25 June 2006
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :

Version 14

Hairspray (2007-10-Shaftesbury Theatre-London)

Type de série: Revival
Théâtre: Shaftesbury Theatre (Londres - Angleterre)

Durée : 2 ans 5 mois
Nombre :
Première Preview : Thursday 11 October 2007
Première : Tuesday 30 October 2007
Dernière : Sunday 28 March 2010
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Edna Turnblad ... Michael Ball / Tracy Turnblad ... Leanne Jones / Wilbur Turnblad ... Mel Smith / Velma Von Tussle ... Tracie Bennett / Link Larkin ... Ben James-Ellis / Corny Collins ... Paul Manuel / Amber Von Tussle ... Rachael Wooding / Penny Pingleton ... Elinor Collett / Prudy Pingleton ... Wendy Somerville / Female Authority Figure ... Wendy Somerville
Commentaires : Enfin un musical qui casse la longue série de flop au Shaftebury qui a caractérisé tout ce début de XXIème siècle.
Commentaires longs: Enfin un musical qui casse la longue série de flop de Shaftebury qui a caractérisé tout ce début de XXIème siècle. On parlait même franchement maintenant de
Presse : PAUL TAYLOR for THE INDEPENDENT says, "Was the show worth it? Yes, yes and again yes." MICHAEL BILLINGTON for THE GUARDIAN says, "Where the show really scores is in its ability to integrate serious issues into a lightweight plot...Jerry Mitchell's joyous choreography is the beating heart of the show." CHARLES SPENCER for THE DAILY TELEGRAPH says, "If you are up for a good time...it will strike you as heaven on earth. You will laugh, you will scream, you might even shed a sentimental tear or two...there is no mistaking its big, raucous heart. " BENEDICT NIGHTINGALE for THE TIMES says, "Delightful." NICHOLAS DE JONGH for THE EVENING STANDARD says, "Marc Shaiman's urgent score, with clever, often witty lyrics written with Scott Whitman, keeps Hairspray pulsating with musical excitement as well as political anger."

Version 15

Hairspray (2009-12-Musical Dome-Cologne)

Type de série: Revival
Théâtre: Musical Dome (Cologne - Allemagne)
Durée : 9 mois 3 semaines
Nombre :
Première Preview : Sunday 06 December 2009
Première : Sunday 06 December 2009
Dernière : Sunday 26 September 2010
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :
Presse : "Es ist das irrste Musical, das Köln je geboten wurde." Bild
"Urkomisch und rührend zugleich." dpa
"Die Inszenierung mit Maite Kelly und Uwe Ochsenknecht in den Hauptrollen präsentiert sich im Musical Dome als energiegeladenes, mitreißendes Pop-Märchen." ddp
"Atemberaubende Motown- und Soul-Nummern." Berliner Zeitung
"Es liegt an Maite Kelly und Uwe Ochsenknecht, die ihre pfundigen Hauptrollen vollendet, anrührend und komisch zugleich ausleben. Bonbonbunt ist gute Laune garantiert." General-Anzeiger Bonn

Version 16

Hairspray (2010-04-UK Tour)

Type de série: Revival
Théâtre: UK Tour ( - Angleterre)
Durée : 1 an 3 semaines
Nombre :
Première Preview : Tuesday 30 March 2010
Première : Wednesday 07 April 2010
Dernière : Saturday 30 April 2011
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Edna Turnblad ... Michael Ball, Brian Conley, Michael Starke / Wilbur Turnblad ... Les Dennis, Micky Dolenz, Nigel Planer / Tracy Turnblad ... Laurie Scarth / Link Larkin ... Liam Doyle / Velma Von Tussle ... Gillian Kirkpatrick / Seaweed J. Stubbs ... Wayne Robinson
Commentaires longs: 12 Apr 11 to 30 Apr 11 Hippodrome, Bristol
15 Feb 11 to 26 Feb 11 Devonshire Park Theatre, Eastbourne
1 Feb 11 to 12 Feb 11 Theatre Royal, Norwich
18 Jan 11 to 29 Jan 11 New Victoria Theatre, Woking
29 Mar 11 to 9 Apr 11 His Majesty's Theatre, Aberdeen
15 Mar 11 to 26 Mar 11 New Wimbledon Theatre, Outer London
1 Mar 11 to 12 Mar 11 Theatre Royal, Nottingham
14 Dec 10 to 9 Jan 11 Playhouse Theatre, Edinburgh
30 Nov 10 to 11 Dec 10 Alhambra Theatre, Bradford
16 Nov 10 to 20 Nov 10 Bord Gais Energy Theatre, Dublin
25 Oct 10 to 6 Nov 10 Birmingham Hippodrome, Birmingham
12 Oct 10 to 23 Oct 10 New Theatre, Oxford
21 Sep 10 to 9 Oct 10 Milton Keynes Theatre, Milton Keynes
7 Sep 10 to 18 Sep 10 Empire Theatre, Sunderland
17 Aug 10 to 4 Sep 10 Liverpool Empire Theatre, Liverpool
3 Aug 10 to 14 Aug 10 Theatre Royal, Plymouth
13 Jul 10 to 31 Jul 10 Opera House, Manchester
22 Jun 10 to 3 Jul 10 Grand Theatre and Opera House, Leeds
1 Jun 10 to 19 Jun 10 Grand Theatre, Wolverhampton
11 May 10 to 29 May 10 Mayflower Theatre, Southampton
28 Apr 10 to 8 May 10 Scottish Exhibition and Conference Centre (SECC), Glasgow
30 Mar 10 to 24 Apr 10 Wales Millennium Centre, Cardiff

Version 17

Hairspray (2020-04-Coliseum Theatre-London)

Type de série: Revival
Théâtre: Coliseum Theatre (Londres - Angleterre)
Durée : 4 mois 1 semaine
Nombre :
Première Preview : Thursday 23 April 2020
Première : Thursday 23 April 2020
Dernière : Saturday 29 August 2020
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Michael Ball, Marisha Wallace, Lizzie Bea

Version 18

Hedwig and the Angry Inch (2000-09-Playhouse Theatre-London)

Type de série: Original London
Théâtre: Playhouse Theatre (Londres - Angleterre)
Durée : 1 mois 2 semaines
Nombre : 55 représentations
Première Preview : Friday 08 September 2000
Première : Tuesday 19 September 2000
Dernière : Saturday 04 November 2000
Mise en scène : Jeffrey N. Moss
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Michael Cerveris (Hedwig), Elizabeth Marsh (Yitzak)
Commentaires : This fringe rock-musical premiered off-Broadway in February 1998, where it ran for two years and won several awards. Despite its cult success, the two-hander did not go down well with London critics or audiences and ran just seven weeks.
Michael Coveney in the Daily Mail said “the whole tacky experience is like watching a bad Dusty Springfield concert performed by Lily Savage with a good backing band.” A film version was made in 2001 directed by John Cameron Mitchell who also played the role of Hedwig. The film version won several awards and has become a cult classic.
Presse : THE INDEPENDENT loved the show saying, "As a musical, Hedwig has it all: melodrama, pathos, searing humour and a handful of fantastic songs. Move over Rocky Horror and make way for a brand new cult."

THE TIMES was more luke-war saying, "This off-Broadway cult looks awfully thin in the West End."

THE DAILY TELEGRAPH says, "Though small in scale, and more of a cabaret than a full-blown tune-and-toe show, there is little doubt that Hedwig and the Angry Inch is the best rock musical since The Rocky Horror Show."

THE EVENING STANDARD says, "If only Michael Cerveris, in the role of Hedwig, had the right voice and wit, then this cabaret-musical might have been able to secure the cult status and coterie appeal it achieved off-Broadway. But it turns out to be virtually a one-transexual show and Cerveris's nasal, throaty voice is all too often blotted out by the eloquent, four-strong band that pitches itself too loud."

TIME OUT says 'Hedwig', " suffers from being nowhere near as funny as it has hitherto assumed itself to be."

THE STAGE says, "American Michael Cerveris has great stage presence and a hell of a voice..."

Version 19

Kinky Boots (2013-04-Al Hirschfeld Theatre-Bway)

Type de série: Original
Théâtre: Al Hirschfeld Theatre (Broadway - Etats-Unis)
Durée : 6 ans
Nombre :
Première Preview : Sunday 03 March 2013
Première : Thursday 04 April 2013
Dernière : Sunday 07 April 2019
Mise en scène : Jerry Mitchell
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Stark Sands (Charlie Price), Billy Porter (Lola), Annaleigh Ashford (Lauren), Celina Carvajal (Nicola), Daniel Stewart Sherman (Don), Marcus Neville (George), Paul Canaan, Kevin Smith Kirkwood, Kyle Taylor Parker, Kyle Post, Charlie Sutton, Joey Taranto, Andy Kelso, Tory Ross, Jen Perry, Josh Caggiano, Aaron Bantum, Adinah Alexander, Eric Anderson, Eugene Barry-Hil, Stephen Berge, Caroline Bowman, Sandra DeNise, Eric Leviton, Ellyn Marie Marsh, John Jeffrey Martin, Nathan Peck, Robert Pendilla, Lucia Spina, Sebastian Hedges Thomas, Marquise Neal and Clifton Oliver
Presse : Les critiques sont trèd bonnes:

"It’s a shameless emotional button pusher." Ben Brantley for New York Times

"Even with some stumbles, 'Kinky Boots' is a high time." Joe Dziemianowicz for New York Daily News

"Likable but heavy-handed show." Elisabeth Vincentelli for New York Post

"The Feel-Good Musical of the Season." Erik Haagensen for Back Stage

"[For] a show that seems to make few false steps is so relentlessly tedious." Robert Feldberg for The Record

"Blissfully entertaining." Roma Torre for NY1

"Fair-to-middling musical entertainment. Michael Sommers for Newsroom Jersey

"A raucous crowdpleaser despite its obviousness." David Rooney for The Hollywood Reporter

"Never underestimate the power of a good-bad musical." Marilyn Stasion for Variety

Version 20

Kinky Boots (2014-09-US Tour)

Type de série: Revival
Théâtre: US Tour ( - Etats-Unis)
Durée : 2 ans 10 mois 2 semaines Se joue actuellement
Nombre :
Première Preview : Thursday 04 September 2014
Première : Thursday 04 September 2014
Dernière : Open end, ouvert actuellement jusqu'au Tue 18 July 2017
Mise en scène : Jerry Mitchell
Chorégraphie : Jerry Mitchell
Producteur :

Version 21

Kinky Boots (2014-11-US Tour-Pantages Theatre-Los Angeles)

Type de série: Revival
Théâtre: Pantages Theatre (Los Angeles - Etats-Unis)
Durée : 2 semaines
Nombre :
Première Preview : Tuesday 11 November 2014
Première : Tuesday 11 November 2014
Dernière : Sunday 30 November 2014
Mise en scène : Jerry Mitchell
Chorégraphie : Jerry Mitchell
Producteur :

Version 22

Kinky Boots (2015-08-Adelphi Theatre-London)

Type de série: Original London
Théâtre: Adelphi Theatre (Londres - Angleterre)
Durée : 3 ans 4 mois
Nombre :
Première Preview : Friday 21 August 2015
Première : Tuesday 15 September 2015
Dernière : Saturday 12 January 2019
Mise en scène : Jerry Mitchell
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Killian Donnelly (Charlie) Matt Henry (Lola) , Amy Lennox (Lauren), Jamie Baughan (Don), Amy Ross (Nicola) and Michael Hobbs (George), Gemma Atkins, Paul Ayers, Jeremy Batt, Arun Blair-Mangat, Marcus Collins, Emma Crossley, Jordan Fox, Callum Francis, Robert Grose, Gillian Hardie, Chloe Hart, Sophie Isaacs, Luke Jackson, Robert Jones, Adam Lake, Catherine Millsom, Sean Needham, Tim Prottey-Jones, Verity Quade, Javier Santos, Dominic Tribuzio, Alan Vicary, Michael Vinsen and Bleu Woodward.
Presse : "You could make a case against the musical as a piece of preachy uplift about sexual tolerance. But it won me over through the quality of the lead performances, the verve of its staging and its conviction, in its fetishistic worship of thigh-high boots, that there’s no business like shoe business."
Michael Billington for The Guardian

"It may at times look as colourful as a pride carnival parade, but you can hear the creak of the production-line...it might seem ungracious to give it a kicking. But a kicking I feel obliged to give it."
Dominic Cavendish for The Telegraph

"It's good fun but, in my view, a bit too formulaic to induce rapture. You can't deny, though, that it brings a dynamic new dimension to the idea of dragging your heels."
Paul Taylor for The Independent

"The score by Cyndi Lauper is middling US rock, by-the-yard fare. Harvey Fierstein’s script has a few jolly moments but as many cliches."
Quentin Letts for The Daily Mail

Version 23

Kinky Boots (2016-04-US Tour-Pantages Theatre-Los Angeles)

Type de série: Revival
Théâtre: Pantages Theatre (Los Angeles - Etats-Unis)
Durée : 1 semaine
Nombre :
Première Preview : Wednesday 13 April 2016
Première : Wednesday 13 April 2016
Dernière : Sunday 24 April 2016
Mise en scène : Jerry Mitchell
Chorégraphie : Jerry Mitchell
Producteur :

Version 24

Legally Blonde (2007-02-Golden Gate Theatre-San Francisco)

Type de série: Original
Théâtre: Golden Gate Theatre (San Francisco - Etats-Unis)
Durée : 2 semaines
Nombre :
Première Preview : Tuesday 06 February 2007
Première : Tuesday 06 February 2007
Dernière : Saturday 24 February 2007
Mise en scène : Jerry Mitchell
Chorégraphie : Jerry Mitchell
Producteur :

Version 25

Legally Blonde (2007-04-Palace Theatre-Broadway)

Type de série: Original Broadway
Théâtre: Palace Theatre (Broadway - Etats-Unis)
Durée : 1 an 5 mois 3 semaines
Nombre : 23 previews - 595 représentations
Première Preview : Tuesday 03 April 2007
Première : Sunday 29 April 2007
Dernière : Sunday 19 October 2008
Mise en scène : Jerry Mitchell
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Elle Woods ... Laura Bell Bundy / Warner Huntington III ... Richard H. Blake / Emmett Forrest ... Christian Borle / Paulette ... Orfeh / Professor Callahan ... Michael Rupert / Vivienne Kensington ... Kate Shindle / Brooke Wyndam ... Nikki Snelson / Margot ... Annaleigh Ashford / Kristine ... April Berry / Bruiser ... Chico
Commentaires : When Laura Bell Bundy decided to leave the show, producers teamed with MTV to broadcast a reality TV show to find her replacement. The show, entitled Legally Blonde - The Musical: The Search for Elle Woods, ran from June 2nd, 2008 until July 20th, 2008.
Commentaires longs: Bailey Hanks was declared the winner and replaced Bundy on July 23d, 2008. The runner-up, Autumn Hurlbert, served as Hanks' understudy. The third place contestant, Rhiannon Hansen, was given the role of Margot in the national tour. Fourth place contestant Lauren Ashley Zakrin served as the Elle Woods understudy in the national tour.
Presse : BEN BRANTLEY of THE NEW YORK TIMES: “This high-energy, empty-calories and expensive-looking hymn to the glories of girlishness, based on the 2001 film of the same title, approximates the experience of eating a jumbo box of Gummi Bears in one sitting.
JOE DZIEMIANOWICZ of NEW YORK DAILY NEWS: "The same is true of this endlessly energetic show. But for all its pep, bright colors and adorable dogs, the "Blonde" that breezed into the Palace last night is rarely - as Elle would say - superfun. It's only sorta fun."
CLIVE BARNES of THe NEW YORK POST: "Amorphous, synthetic and maniacally empty-headed music. When was it that so many Broadway musicals took 'Looney' to their hearts but managed to leave out the 'Tunes'? "
MICHAEL SOMMERS of STAR-LEDGER: "So a new star isn't born (Laura Bell Bundy) and the songs aren't all that great, but not everybody demands perfection. Certainly 'Legally Blonde' twinkles brightly enough to tickle pink many a customer seeking easy, breezy amusement. "
ELYSA GARDNER of USA TODAY: "Whatever pleasures Blonde provides...are as fleeting and superficial as highlights."
LINDA WINER of NEWSDAY: "But she and the musical are peppy and bright and, though not a smidge more shocking than its heroine's special shade of pink, the show is what Elle's sorority pals might also describe as, "Like senior year but funner."
ROBERT FELDBERG of the RECORD: "Witty, insistently engaging, warp-speed musical comedy."
ERIC GRODE of the NEW YORK SUN: "To quote from the show's intended demographic, its not gr8 but itll make you LOL. IMHO, obvs."
JOHN SIMON of BLOOMBERG: "Thrives on its secondary virtues, its production values. It will keep your interest, but is that tantamount to earning its keep? "
MICHAEL KUCHWARA of ASSOCIATED PRESS: "So why, despite the expensive glitz and an aggressive, go-go attitude, does 'Legally Blonde' only fitfully entertain? Most prominently because of a disappointing score."
DAVID ROONEY of VARIETY: "The show's good-natured appeal is undeniable, right down to the delicious, probably unintentionally cruel timing of its 'Riverdance' parody, following turgid fellow Broadway newcomer 'The Pirate Queen' into New York."

Version 26

Legally Blonde (2008-09-US Tour)

Type de série: US Tour
Théâtre: US Tour ( - Etats-Unis)
Durée : 1 an 10 mois 4 semaines
Nombre :
Première Preview : Sunday 21 September 2008
Première : Sunday 21 September 2008
Dernière : Sunday 15 August 2010
Mise en scène : Jerry Mitchell
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Elle Woods ... Becky Gulsvig / Emmett Forrest ... D.B. Bonds / Paulette ... Natalie Joy Johnson / Professor Callahan ... Ken Land / Warner Huntington III ... Jeff Mclean / Vivienne Kensington ... Megan Lewis / Grandmaster Chad ... Ven Daniel / Dewey ... Ven Daniel / Kyle ... Ven Daniel / Brooke Wyndam ... Coleen Sexton

Version 27

Legally Blonde (2009-12-Savoy Theatre-London)

Type de série: Original London
Théâtre: Savoy Theatre (Londres - Angleterre)
Durée : 2 ans 2 mois 3 semaines
Nombre : 974 représentations
Première Preview : Saturday 05 December 2009
Première : Wednesday 13 January 2010
Dernière : Saturday 07 April 2012
Mise en scène : Jerry Mitchell
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Sheridan Smith (Elle Woods), Duncan James (Warner Huntingdon), Peter Davison (Professor Callahan), Jill Halfpenny (Paulette), Chris Ellis-Stanton (Kyle), Aoife Mulholland (Fitness Instructor), Alex Gaumond ( Emmett Forest)
Commentaires : Cette version a eu un succès énorme à Londres… Plus qu'à Broadway. Elle a été une vraie révélation de Sheridan Smith, des hordes de fan l'attendant à la sortie des artistes.
Presse : "I can only report that the ­predominantly female audience with whom I saw the show seemed to be ­having a whale of a time and did not give a damn about the fact that the musical is little more than a nonsensical fairytale. " Micheal Billington for The Guardian /
"Totally blown away...it's ridiculously enjoyable from start to finish." Paul Taylor for The Independent / "Delightful, annoying, supremely wishful musical...Let’s overlook some forgettable tunes and welcome dance that embraces everything from skipping with ropes to spoof Riverdance...Legally Blonde is, well, fun" Benedict Nightingale for The Times / "Among feelgood musicals, Legally Blonde is right up there." Charles Spencer for The Daily Telegraph / "It's energetic and amusing." Henry Hitchings for The Evening Standard / "The plot is pap, the musical unmemorable, the dancing often hefty except for one routine with skipping ropes." Quentin Letts for The Daily Mail / "This musical will not disappoint fans of the movie - it’s a faithful, funny and feel-good adaptation." Evelyn Curlet for The Stage

Version 28

Legally Blonde (2011-07-UK Tour)

Type de série: UK Tour
Théâtre: UK Tour ( - Angleterre)
Durée :
Nombre :
Première Preview : Friday 08 July 2011
Première : Friday 08 July 2011
Dernière : Inconnu
Mise en scène : Jerry Mitchell
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Elle Woods ... Faye Brookes / Emmett Forrest ... Iwan Lewis / Paulette ... Liz McClarnon / Warner Huntington III ... Neil Toon / Professor Callahan ... Dave Willetts

Version 29

Legally Blonde (2013-02-Ronacher Theatre-Vienne)

Type de série: Revival
Théâtre: Ronacher (Vienne - Autriche)
Durée : 4 mois 1 semaine
Nombre :
Première Preview : Thursday 21 February 2013
Première : Thursday 21 February 2013
Dernière : Saturday 29 June 2013
Mise en scène : Jerry Mitchell
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Barbara Obermeier (Elle Woods), Jörg Neubauer (Emmett Forrest), Alexander Goebel (Professor Callahan), Ana Milva Gomes (Paulette Buonufonté), Hendrik Schall (Warner Huntington III), Sanne Mieloo (Vivienne Kensington), Linda Hold (Brooke Wyndham), Birgit Wanka (Serena), Anja Haeseli (Margot), Sidonie Smith (Pilar), Daniel Rakasz (Großmeister Chad / Dewey / Kyle), Jörn-Felix Alt (Walk-In Cover Warner Huntington III), André Bauer (Walk-In Cover Dad / Winthrop / Professor Callahan), Katja Berg (Courtney / Mum / Withney, Cover Paulette Buonufonté, Cover Vivienne Kensington), Jurriaan Bles (Padamadan / Niko), Anna Carina Buchegger (Gabby / Gerichtsschreiberin, Cover Margot), Amélie Dobler (Kristine, Cover Elle Woods), Adrianna Hicks (Richterin / Verkäuferin, Cover Pilar), Armin Kahl (Dad / Winthrop, Cover Professor Callahan), Paul Knights (Kiki), Peter Kratochvil (Pforzheimer), Marie-Anjes Lumpp (Leilani, Cover Elle Woods), Maximilian Mann (Carlo, Cover Großmeister Chad / Dewey / Kyle, Cover Warner Huntington III), Myrthes Monteiro (Cece / Staatsanwältin, Cover Serena), Anouk Roolker (Enid), Jennifer Siemann (Kate / Chuthney, Cover Margot), Benjamin Sommerfeld (Lowell, Cover Emmett Forrest), Janine Buck (Swing, Cover Brooke Wyndham, Cover Serena), Maria Graciano (Swing, Dance Captain, Cover Pilar), Jerôme Knols (N Swing), Jan-Eike Majert (N Swing), Georg Prohazka (N Swing, Dance Captain Assistant), Anne-Mette Riis (Swing, Cover Brooke Wyndham), Gabriela Ryffel (Swing, Cover Vivienne Kensington, Cover Paulette Buonufonté)
Commentaires : Titre allemand: "Natürlich Blond"

Version 30

Love never dies (2010-03-Adelphi Theatre-London)

Type de série: Original
Théâtre: Adelphi Theatre (Londres - Angleterre)
Durée : 1 an 5 mois 2 semaines
Nombre :
Première Preview : Monday 22 February 2010
Première : Tuesday 09 March 2010
Dernière : Saturday 27 August 2011
Mise en scène : Jack O'Brien
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Ramin Karimloo (Phantom ), Sierra Boggess (Christine Daaé), Joseph Millson (Raoul), Liz Robertson (Mme Giry), Summer Strallen (Meg), Niamh Perry (Fleck), Adam Pearce (Squelch), Jami Reid-Quarrell (Gangle)
Commentaires : The musical opened with previews on 22nd February 2010, originally directed by Jack O’Brien and with lyrics by Glenn Slater. Although it was praised for its lavish staging, and received a few excellent notices, it was generally felt to be clunky and exceptionally dark and gloomy. It was rapidly nicknamed “Paint Never Dries”. Later in the year a new version was rehearsed simultaneously with the evening performances and the show closed for four days in November 2010 for substantial re-writes. It re-opened with new direction from Bill Kenwright, new choreography from Bill Deamer, and some new lyrics by Charles Hart. The London production closed on 27 August 2011 after a disappointing run of fewer than eighteen months.
Presse : "There is much to enjoy in Andrew Lloyd Webber's new musical. The score is one of the composer's most seductive. Bob Crowley's design and Jack O'Brien's direction have a beautiful kaleidoscopic fluidity. And the performances are good. The problems lie within the book, chiefly credited to Lloyd Webber himself and Ben Elton, which lacks the weight to support the imaginative superstructure...In short, the show has much to commend it and the staging is a constant source of iridescent pleasure. But, as one of the lyrics reminds us, 'diamonds never sparkle bright unless they are set just right'. Although Lloyd Webber's score is full of gems, in the end a musical is only as good as its book. With a libretto to match the melodies, this might have been a stunner rather than simply a good night out."
Michael Billington for The Guardian

"Dismally implausible plot...The blogosphere has been teeming with views of Lloyd Webber’s long-awaited Phantom II. For some, Love Never Dies is 'Paint Never Dries', and for others the composer is at his musical best. I tend to agree with both factions....Bob Crowley (Designs] successfully evokes much of Phantasma, helped by projections of spooky horses on carousels. Yet that’s all rather cursory, as is the choreography, which doesn’t amount to a lot more than the inevitable bathing beauties bouncing about on the beach. "
Benedict Nightingale for The Times

"Lloyd Webber’s finest show since the original Phantom, with a score blessed with superbly haunting melodies and a yearning romanticism that sent shivers racing down my spine....The show may ultimately prove too strange, too dark, too tormented to become a massive popular hit, but I suspect its creepy allure will linger potently in the memory when frothier shows have been long forgotten. "
The Daily Telegraph

"What is in no doubt is the technical excellence of Jack O'Brien's seamlessly fluent, sumptuous (and sometimes subtle) production, or the splendour of the orchestra which pours forth Lloyd Webber's dark-hued, yearning melodies as if its life depended on them."
Paul Taylor for The Independent

"It doesn’t really smoke into life until the 20th minute and even then it splutters for a while. Finally, the singing and the ingenious staging combine to show the Lloyd Webber orchestration to its full glory, but, boy, it takes an age."
Quentin Letts for The Daily Mail

"While Lloyd Webber’s music is at times lavishly operatic, the tone is uneven. There are no more than a couple of songs that promise to live in the memory, the duets don’t soar, and the ending is insipid. Admirers of Phantom are likely to be disappointed, and there’s not enough here to entice a new generation of fans."
Henry Hitchings for The Evening Standard

"Sets and special effects cannot be faulted, the singing is terrific...a stunning ending. But phantastic? Afraid not."
Bill Hagerty for The Sun

"Musically, it is pleasing enough...Visually, the show is stunning in places."
Matthew Hemley for The Stage

"This is an elegant and clever sequel to Phantom...It is a great night out."
Paul Callan for The Daily Express

"While lushly orchestrated (by David Cullen with Mr. Lloyd Webber), the score is, for the most part, so slow that you have time to anticipate Mr. Slater’s next leaden rhyme. Each of the songs — which range from bathing-beauty frolics to power-chord operetta ballads — spins a single tune until it loses its tread."
Ben Brantley for The New York Times

"Frequently clunky and clumsy...Lloyd Webber's score, too, seems like a rehashed parade of pastiche and throbbing crashing-chord melodies."
Mark Shenton for Entertainment Weekly

"Watching the sequel only makes you appreciate the achievement of the original."
David Benedict for Variety

"The musical is impressive and enjoyable, even with its heavy hokum and creakiest of plots."
Warwick Thompson for Bloomberg News

Version 31

On Your Feet! (2015-11-Marquis Theatre-Broadway)

Type de série: Original
Théâtre: Marquis Theatre (Broadway - Etats-Unis)
Durée : 1 an 9 mois 2 semaines
Nombre : 34 previews - 746 représentations
Première Preview : Monday 05 October 2015
Première : Thursday 05 November 2015
Dernière : Sunday 20 August 2017
Mise en scène : Jerry Mitchell
Chorégraphie : Sergio Trujillo
Producteur :
Avec : Ana Villafañe (Gloria Estefan), Josh Segarra (Emilio Estefan), Andréa Burns (Gloria Fajardo), Alma Cuervo (Consuelo), Alexandria Suarez (Little Gloria), Noah Johnston (Little Emilio), Karmine Alers, Yassmin Alers, David Baida, Natalie Caruncho, Henry Gainza, Linedy Genao, Carlos E. Gonzalez, Nina Lafarga, Genny Lis Padilla, Omar Lopez-Cepero, Hector Maisonet, Marielys Molina, Felix Monge, Doreen Montalvo, Liz Ramos, Eliseo Roman, Luis Salgado, Marcos Santana, Martín Solá , Brett Sturgis, Eric Ulloa, Tanairi Vasquez et Lee Zarrett
Commentaires : The show begins previews on October 5th, following a month long tryout in Chicago. In the director's chair is two time Tony Award winner Jerry Mitchell (Kinky Boots, La Cage Aux Folles), while the choreography will come courtesy of Sergio Trujillo (Jersey Boys). The cast is yet to be announced.

Never mind Jay-Z and Beyonce, the Estefans were the original superstar music couple. She is one of the biggest selling singers of all time, while he's the mastermind producer behind dozens of massive names. What's better still is the story of their rise to fame, a true rags to riches tale, which is as close to the American dream as you can get. On Your Feet! is a new Jukebox musical which charts their careers and relationship, all soundtracked by Estefan's genre-defining greatest hits, including 'Rhythm is Gonna Get You' and 'Words Get in the Way', as well as some all-new tracks.
Presse : "The recipe may be familiar, but the flavor is fresh in 'On Your Feet!,' the half-formulaic, half-original and undeniably crowd-pleasing musical about the lives of Emilio and Gloria Estefan." Charles Isherwood for New York Times

"A paint-by-numbers portrait can still be colorful — and a kick. Case in point: 'On Your Feet!,' a predictable but entertaining show about Gloria Estefan and her music-producer husband Emilio." Joe Dziemianowicz for New York Daily News

"A serviceable jukebox musical." Adam Feldman for Time Out New York

"'On Your Feet!'... is a fine addition to the ranks of jukebox musicals." Mark Kennedy for Associated Press

"Already proving a solid crowdpleaser in previews, the show features a star-making lead performance from radiant newcomer Ana Villafane." David Rooney for Hollywood Reporter

"Newcomer Ana Villafane (who originated the role in the show’s Chicago premiere) is a knockout in the leading role, the dazzling centerpiece of this flashy, splashy spectacle helmed by Jerry Mitchell." Marilyn Stasio for Variety

Version 32

On Your Feet! (2017-10-Beatrix Theater-Utrecht)

Type de série: Revival
Théâtre: Beatrix Theater (Utrecht - Pays-Bas)
Durée : 4 mois
Nombre :
Première Preview : Tuesday 17 October 2017
Première : Sunday 29 October 2017
Dernière : Wednesday 28 February 2018
Mise en scène : Jerry Mitchell
Chorégraphie :
Producteur :
Avec : Vajèn van den Bosch (Gloria Estefan), Jim Bakkum (Emilio Estefan), Nurlaila Karim (Gloria Fajardo), Ellen Evers (Consuelo)

Version 33

On Your Feet! (2019-06-London Coliseum-London)

Type de série: Revival
Théâtre: Coliseum Theatre (Londres - Angleterre)
Durée : 2 mois 2 semaines
Nombre :
Première Preview : Friday 14 June 2019
Première : Friday 14 June 2019
Dernière : Saturday 31 August 2019
Mise en scène : Jerry Mitchell
Chorégraphie : Sergio Trujillo
Producteur :

Version 34

Pretty Woman (2021-07-Savoy Theatre-London)

Type de série: UK Revival
Théâtre: Savoy Theatre (Londres - Angleterre)
Durée : 1 an 11 mois 2 semaines
Nombre :
Première Preview : Thursday 08 July 2021
Première : Thursday 08 July 2021
Dernière : Sunday 18 June 2023
Mise en scène : Jerry Mitchell
Chorégraphie : Jerry Mitchell
Producteur :
Avec : Courtney Bowman (Kit De Luca), Andy Barke (Happy Man / Mr Thompson), Aimie Atkinson (Vivian Ward), Danny Mac (Edward Lewis until Apr 1), Oliver Tompsett (Edward Lewis from Apr 4), Daniel Clift, John Addison, Jemma Alexander, Becky Anderson, Matt Bateman, Patrick Barrett, Robertina Bonano, Oliver Brenin, Alex Charles, Ben Darcy, Hannah Ducharme, Elishia Edwards, Tom Andrew Hargreaves, Antony Hewitt, Helen Hill, Mark Holden, Elly Jay, Matt Jones, Kurt Kansley, Georgia Kleopa, Annabelle Laing, Will Luckett, Curtis Patrick, Hassun Sharif, Cilla Silvia, Charlotte Elisabeth Yorke

Version 35

Pretty Woman: The Musical (2018-08-Nederlander Theatre-Broadway)

Type de série: Original
Théâtre: Nederlander Theatre (Broadway - Etats-Unis)
Durée : Se joue actuellement
Nombre : 27 previews -
Première Preview : Friday 20 July 2018
Première : Thursday 16 August 2018
Dernière : Open end, ouvert actuellement jusqu'au Thu 01 January 1970
Mise en scène : Jerry Mitchell
Chorégraphie :
Producteur :
Avec : Samantha Barks (as Vivian Ward), Andy Karl (as Edward Lewis), Orfeh (as Kit De Luca), Jason Danieley (as Phillip Stuckey), Eric Anderson (as Mr. Thompson), and Ezra Knight (as James Morse)
Presse : "Let me make it clear that I mean no disrespect to Ms. Barks when I say that she is not Julia Roberts. Best known for playing the waifish Éponine in the movie musical Les Misérables, Ms. Barks is clearly a talented singer and actress. But being used as a paper doll for Gregg Barnes’s “I Love Julia” costumes, while speaking verbatim Ms. Roberts’s lines from the film, she has been given no chance to banish stardust memories of the woman who created her part. Directed and choreographed as if on automatic pilot by Jerry Mitchell, Pretty Woman: The Musical has a book by the original film's director, Garry Marshall (who died in 2016), and screenwriter, J.F. Lawton, with songs by Bryan Adams and Jim Vallance. Its creators have hewed suffocatingly close to the film’s story, gags and dialogue." Ben Brantley for New York Times

"The cast makes the most of what Pretty Woman allows them. The winsome Barks, who played Éponine in the movie Les Misérables, sings very well and has a believable connection with Karl, who undersells his sexiness wisely. Orfeh provides sass and power vocals as Vivian’s best friend, Jason Danieley is a solidly smarmy villain, and Eric Anderson injects humor and showmanship into his dual roles as a street-singing narrator and a benevolent hotel manager. But although it is capably staged, the show has no reason to exist beyond, one assumes, a desire to make money by pimping out a familiar property. Broadway can do better than the same old tricks." Adam Feldman for Time Out New York

"In truth, the singing is all well and good, but considering the evolution of gender politics over the last 30 years, Pretty Woman today comes off pretty tone deaf." Roma Torre for NY1

"End-of-the-'80s nostalgia rules at the Nederlander Theatre, where the cut-and-paste musical version of Garry Marshall's 1990 romantic comedy, Pretty Woman, is re-creating the cultural-touchstone movie beat for beat, set to a score by Bryan Adams and songwriting partner Jim Vallance that could easily pass for vintage FM-radio pop-rock singles. Just as the film was a stellar vehicle for Julia Roberts, the musical showcases a radiant performance from Samantha Barks as the Hollywood Boulevard prostitute that becomes the "beck and call girl" of a corporate raider. True to the famous closing scene that launched a squillion swoons, he rescues her and "she rescues him right back."" David Rooney for Hollywood Reporter

"With anything mature or sensual systematically removed, Pretty Woman: The Musical goes all-in on fantasy, casting two sizzling talents, Samantha Barks and Andy Karl, as bland, pretty people singing pretty Bryan Adams-Jim Vallance tunes with nothing much at stake. Stubbornly inconsequential, it’s a morally uplifting fairy tale of which everyone, young and old alike, can be skeptical." Bob Verini for Variety

Version 36

Pretty Woman: The Musical (2020-03-Piccadilly Theatre-London)

Type de série: Original London
Théâtre: Piccadilly Theatre (Londres - Angleterre)
Durée : 10 mois 1 semaine
Nombre :
Première Preview : Thursday 13 February 2020
Première : Sunday 01 March 2020
Dernière : Saturday 02 January 2021
Mise en scène : Jerry Mitchell
Chorégraphie :
Producteur :